Dye Hard

Ithaca College chemistry professor Mike Haaf created a new way to color denim


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    Credit: Photo by Inchic/Shutterstock

    Professor Mike Haaf and student Katrina Piemonte ’16 used a flow reactor to develop a method for dyeing blue jeans that uses less water and less harmful chemicals than the traditional vat-dyeing process.

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    Credit: Photo by Dan Verderosa/Ithaca College

    Professor Mike Haaf specializes in organic chemistry and conducts research on the synthesis of polymers.

Newswise — People all over the world love blue jeans, but the process currently used to dye jeans with indigo can be harmful to the environment. Working with an Ithaca College student and colleagues from Virginia Commonwealth University and the University of Leeds, chemistry professor Mike Haaf recently developed a new, more environmentally friendly way to dye fabric with indigo. They published a paper on their research in the journal Coloration Technology. In an interview with IC News, Haaf explained how this new process works.

IC NEWS: How is indigo traditionally used to dye fabric?

HAAF: Indigo is a special dye [both] because of its beautiful blue color, but also because unlike other dyes, it doesn’t dissolve in water at all. It’s completely insoluble. To get the blue into fibers for jeans and things like that, indigo first has to first be converted to something called leucoindigo, which is an ugly, yellow, apple-juice kind of color that dissolves in water. Then they put the fiber in and let the dye soak into the fiber. When they take the fiber out of that vat, oxygen from the air re-oxidizes the leucoindigo back into indigo. It’s called the vat-dyeing process.

IC NEWS: How is your new process different from vat dyeing?

HAAF: Our process eliminates the need to turn indigo into leucoindigo. It basically allows you to make indigo and then capture it in fibers as its forming, so you don’t have to do that extra conversion.

Normal organic synthesis is done in batch process, where you mix stuff in a flask, stir it, and then get a product and isolate it. This method uses something called a flow reactor, where you’re actually synthesizing the material in small, microfluidic channels, using reagents that flow through those channels. So it’s not in a big batch. The reaction is happening on a very small scale, but continuously.

For our process we took the components that you’d normally mix in a flask and separated them into different channels, and then had them mix. The indigo is formed in-flow, and so if you are careful enough with your conditions you can take a fiber and capture the indigo microseconds before it finishes forming, so that it soaks into the fiber and turns blue without having to do that vat-dyeing step.

You can also aerosolize it. You can run that through an aerosol can and make a sprayable form of the material.

IC NEWS: If this process were commercialized, would it be more environmentally friendly than vat dyeing?

HAAF: Yes. It would eliminate the chemical used to convert indigo to leucoindigo, which produces corrosive waste that can be bad for waterways. Also, the vat-dyeing process uses a lot of water. I think this process overall would end up using less water. In addition to the environmental benefits, eliminating the chemicals needed to make leucoindigo and using less water should also make the process less expensive.

IC NEWS: Will this process be commercially viable?

HAAF: I don’t know. The infrastructure for making blue jeans is so well established that getting anybody to change how they do this would probably cost a lot of money and require a lot of infrastructure change that may not be worth it to companies unless there are some other incentives given to them.

IC NEWS: How did you get involved in this project?

HAAF: I was teaching Chemistry and Art with Gary Wells in art history, so I was thinking about chemistry and art colorants and things like that a lot more than I normally would. At the same time, I was collaborating with another chemist named Tyler McQuade at Virginia Commonwealth University on microreactor-type stuff, and I sort of merged the two together. That stewed for a while, and then finally I had a student, Katrina Piemonte ’16, who was game for giving it a shot. I also worked with some colleagues at the University of Leeds to run tests on the samples we had dyed. It was a very collaborative effort.

This interview has been edited for length and clarity.

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